At NUPA* I had a small school-studio, where students without money could learn, for free, the basic fundaments and tools of “2D animation” (that I prefer call “digital cut out”) and, in addition, to receive lectures from the best professionals in
Céu D´Ellia
movies, animation, comics, illustration & environment
I started my career doing story boards and I love to do them. The film gets alive in my head and I have to work fast to put it on the board. Usually it happens in a way that, after I draw the roughs, does not need too many corrections on crossings of
I like form. Philosophically speaking, everybody does. But I like how you can use lines in a flat surface, and make the eyes cheat your brain that what you see is tridimensional and exists in space. Better: I like to draw things that at the same